February, 2009


12
Feb 09

Climate Change

Some weeks ago in the deepest cold of January I was driving by the large power plant north of Munich, which is an impressive sight even by daylight, and was facing a beautiful sunset which I never can resist, much less so when I have my camera and tripod in the car with me.

power_plant

Now looking at this image, at first I wondered, is this nature photography? It could be argued that this is an architectural image, or at least a very technical subject. But my answer is that the main effect of this photo is caused by nature in the form of the sunset colors, so it definitely is nature photography.

But of course given we all have been educated by Al Gore about climate change I was still surprised how hard it was not to think about CO2 emissions when looking at this photograph.

Every period has it’s icons.

The real story is of course more complex – even if this power plant is fueled mainly by coal, it also is fueled by waste combustion, and is a co-generation power plant that also generates heat, which is used for heating and hot water generation within the Munich city district. I personally do believe the only way to get to a cleaner energy mix is to reduce power consumption wherever possible. Just changing the source for the energy will not work out in the long run.

This particular power plant actually won the “Power Plant Award” in 1993 for environmental compatibility. Standards might have changed since then and public awareness increased, but obviously some 15 years ago this one was not to blame, but to celebrate.

Times change.

power_line


8
Feb 09

Workshop report: Winter Magic (part II)

This is the second part of the workshop review “Winter Magic”. In case you have missed part I, you can find it here.

Now, after lunch, which at least for my part meant a delicious Kaiserschmarrn, a sweet pancake-based dish famous in Austria and Bavaria, the real challenge began: To climb up from the hut to the summit of the Herzogstand, to the full 1731 meters height. To my dismay, it was still foggy out there and nobody was really looking forward to the steep climb through fog and snow up onto the summit – without any vista value, it would have been a photo-less exercise only (with a 10 kg backpack, of course).

We started out and began the switchback trail, and I am sure in summer this would have been an easy walk, but with the snow the trail had become quite narrow, and walking right next to the steep slopes through snow and ice was a new thing for me and required quite some focus and attention.

About 100 meters below the summit, suddenly the sky turned from white to blueish white, and a quick glance at the horizon (stopping first – mind your step) confirmed: We were climbing out of the fog! The first mountain peaks were visible at a distance, with some separation from the background. Now this could turn out to be a photographer’s dream…

With renewed vigor, we made the final two switchbacks and found that we had climbed “just” above the fog ceiling – an incredible view! I was basically too stunned by what I saw to be able to think about “framing it”, and as Bruno, our guide, assured us at the evening’s image critique, this was an “unphotographable moment”.

After having recovered from the first joyful shock, I tried anyway.

above_the_fog

You have to imagine being up there, over the clouds, with an incredible peaceful silence (and actually no wind at all). The snow and mountains showered by sun light, and the clouds (I prefer clouds over fog here…) constantly changing shape and sometimes flowing over the top of the mountain including the summit cross and a group of photogs :-)

summit_cross

The challenge that the motif presented – it was concretely the huge Karwendel mountain range in Austria as well as the Wetterstein mountains on the German side of the border – was the sheer impossible aspect ratio. The mountains spanned a large section of the horizon, but of course being quite distant – I measured 18 km using Google Earth – came out much smaller in the image than the eye made me believe. Three solutions came into my mind:

  1. Just grab a nice looking section from the mountain range and try to have a nice left and right edge composition anyway. With a zoom, you have a large freedom to choose. This was pretty hard, and I am not really satisfied with this image (which was taken using my Sigma 100-300 f/4 at 125 mm).
    karwendel
  2. Look for a mountain that is not connected to the main range. I found one right behind me – the Benediktenwand, which made quite a sight being an island in the sea of clouds. Now, the wikipedia article (sorry, German and French only for now) states that the Benediktenwand was one of the mountains in the last ice age which was high enough to have it’s peak rise about 600 meters out over the glaciers surrounding it. Wonder how this would have looked like!
    benediktenwand
  3. Ha! Make a panorama image! This leaves the aspect ratio problem to the viewer, not the photographer. Worked out only so so, as I needed 11 (!) images at 100 mm focal length to cover the Karwendel only, leaving out the Wetterstein part. Now, if we assume a panorama can nicely be viewed when it has a 1:3 to maximum 1:4 aspect ratio, this is a failure ;-) Here is a quick and dirty preview of the image material – I used Autostitch for this one, when I would go full quality I’d use Photoshop CS3 nowadays.
    quick_panorama
  4. Introduce some foreground trying to convey the scale of the experience – this is the approach that worked best for me, even if the mountains themselves loose their dominance in the resulting images.

[svgallery name="wintermagic2"]

We were discussing with our guide Bruno whether everybody felt comfortable staying up there to watch and photograph the sun coming down, and walk back down in darkness (and fog) – I had packed my flash lights including my new head mounted flash light, and was ready to stay up there to not miss the surely spectacular colors of a sunset. But luck had already shown it’s nicer face to us, and started looking away – the fog rose about another 100 meters, leaving us without any sunlight or motif. So at 4:30pm we decided to give up (the sun was to set at 5:11pm according to my GPS unit) and have the easier walk in remaining day light. It was the right decision, as even those who were willing to wait another 45 minutes and walk in the dark came down without any view of a sunset.

Having missed the opportunity for nice sunset pictures, our hope for a nice sunrise at 7:44am the next day was stifled by our hosts, who with their experience predicted that we would be having fog as well the next morning, and we could “stay in bed until breakfast”.

Well, I didn’t, and got up at 7am to take my gear outside and try my luck :-)

More to come…


4
Feb 09

Workshop report: Winter Magic (part I)

Last October I got all excited when I managed to get a seat in the Winter Magic workshop organized by the Zoom-In photo institute from Bad Tölz, about 50 km south of Munich. What got me excited was the fact that I had tried to register before without success as those courses are really sought after, and that it was to be led by Bruno Frangi, a nature and landscape photographer I had not met before but whose art had not failed to impress me – just visit his website and see for yourself!

Now, the plan was to take the gondola lift up to the Herzogstand close to the beautiful Walchensee lake, and do some serious landscape photography up there, at an altitude of about 1600 meters. The best news, as usual in the Alps, is that there is a cozy mountain-hut-like hotel where we were to stay overnight. The possibility to sleep up there meant that we would get a chance for a sunset and a sunrise on top of the mountain. Wow!

So much for the plan, which was to be executed last weekend, January 31. When I arrived at the parking lot of the gondola lift Saturday morning, 8:30 am (yikes, again got up before 7 am. Maybe I’ll turn into a real nature photographer someday), I was still positively looking forward to go up as the lake itself (and basically the entire way from Munich) was in fog. Not the really thick can’t see where I’m driving kind, but good enough to dim the lights and kill all shadows. Now, I still hoped for sunshine up there, as I had seen in the news the day before that the sun was shining brightly for the skiing competition in near Garmisch-Partenkirchen.

My hope was shattered when the joyful gondola operator ensured me that there was “only clouds” up there and that this wouldn’t change for the day or the next day. He seemed to enjoy imagining this bunch of photographers sitting on top of his mountain with nothing else to photograph than white snow in white fog.

How wrong I was. And surprised. Surprised by the fact that our workshop leader, Bruno, was getting all fidgety about the possibility to have frost up there, and he insisted that the group moved quickly, and brought the equipment into the gondola to go up and not “miss it”! Miss fog? Sorry? It was already all dull and dark down here, how can that be better? It will only be colder, I thought.

[svgallery name="wintermagic1"]

So I learned about the beauty of hoar frost, and the unlikeliness to encounter it when you try to plan it. We were really lucky to get a full morning of frost photography, see for yourself if that is boring!? But it came even better, stay tuned…


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